This was the second week of Easter, and our songs were gathered around that theme. Below, you’ll find the list of the songs and artists. Clicking the song titles will take you to the lyrics. Below the songs, there is an example of one way you might think of these songs in light of this week's theme. If you want to talk about any of these, feel free to comment at the bottom of this page or email me at email@example.com.
Murdered Son by John Mark McMillan
There's A Wideness In God's Mercy by Jameson McGregor (adapted from Frederick Faber)
Wayward Ones by The Gladsome Light
How They Fit In:
There are many ways to think about the significance of songs and the way they fit together–-this is simply one way you can look at these songs in light of this week’s theme.
All Creatures of Our God and King: We sang this song to begin our time together proclaiming that the resurrection of Jesus affected more than just our personal salvation--it was an emphatic yes to life, to creation as a whole. Now every inch of the cosmos sings a song not just proclaiming that it was created by God, but that God entered into it, took on the cycle of life and death that permeates the whole of creation, and ultimately broke through that cycle and crowned it with Resurrection.
Murdered Son: We sang this song for a couple of reasons. One was to reflect on what God did to and for us in the death and resurrection of Jesus. The verses talk about God setting us up above all the stars, raising us high above our station, making us "friends" of God, hiding our faults, and breaking us out of the cycle of dust and grave. Another reason we sang this song was to think what it took for God to do this. The chorus praises God's "murdered son." This language can be jarring, but it is accurate. It serves as a reminder that what God did for us in Jesus was not simply an act of kindness done at no expense. Instead, it meant God becoming human and enduring suffering, the one who is powerful taking on the position of one who is on the bottom end of a power differential--it meant God entering into everything God is pulling us out of.
Because He Lives: We sang this song to look over our shoulder at last week's songs. This is what we said about Because He Lives then: We sang this song to remind ourselves that the Resurrection has an effect on our daily lives--that it is relevant for our own outlook on life. Everything is different because of this moment. Everything has changed. Every story now gets woven into a greater story, and tragedies don't triumph in the end.
There's A Wideness in God's Mercy: This song was written in 1854 by Frederick Faber. I encountered a quote from it recently that I couldn't get of my head, so I looked it up. I suppose we don't always choose the things that hijack out brains, so I don't know that I can offer a thorough reason for why I chose to adapt it. I kept reading this hymn text, and eventually read it with a guitar in hand. Shortly after, I started chopping it up. What I ended up with is a fairly small percentage of the total song, but you can google the whole thing if you'd like. For me, this song shines a light on the scope of the relationship between God's love and God's mercy, as revealed in the death and resurrection of Jesus, and then causes us to shine a light on ourselves and the ways we try to put stipulations on the love of God--the line of thinking that leaves us doubting whether or not God could really love us, or sometimes, them.
Wayward Ones: We sing this song every time we take communion to remind ourselves of a couple of things. First, we are a broken people--though we are seeking to become more like Jesus, we often fail at this. Second, Christ has given Himself for us despite our brokenness. We take communion to remember the sacrifice of Jesus on our behalf, even though we did not, and do not, deserve it.
Doxology: We close our time together each week with this proclamation that God is worthy of praise from every inch of the cosmos.